Afterword

Afterword

From the dozens of mistyped documents, which the artist scanned at the archive, he selected all the mispelled words (image on the left) and all the pencil crossings and scratches that Nietzsche made over these failed writings (image on the right).

This work combines two forking paths that emerged from the same documents; an approximation to the philosopher’s mistyped writings –already described– and a dance, which was motivated by Nietzsche’s own remark about spending hours teaching his fingers “to dance with the Malling-Hansen” typewriter. Faithful to the spirit of the research, for this second path the artist decided that it was Nietzsche himself the only one with full legitimacy to show his dance. Hence, from one of the philosopher’s original documents, Santillán tore off a tiny fragment that was about to fall off and gave it to a psychic medium in order to use it as a ‘psychic bridge’ to reach the philosopher in the afterlife and inquire about this matter. The piece of paper is displayed on a pedestal as part of the installation.

Nietzsche dancing through the body of a psychic medium.

This work is part of the Narrative: