The images in the Antimundo series assert that what we call “natural” and “artificial” are indistinguishable, they are part of a planetary whole.
In this way, the series challenges the conceptions of “nature” that we have inherited from Western explorers and scientists. Perhaps the most notable among them is Carl Linnaeus, who in the 18th century published one of the most influential books on the subject. His Systema Naturae introduced the idea that our planet is composed of three kingdoms: animal, vegetable, and mineral. This way of classifying and understanding “nature” gave birth to taxonomy, which we still use today to categorize the world.
The visual elements of the Antimundo series are profoundly ambiguous. Just as they seem about to become recognizable, they refuse to do so, instead gradually revealing themselves as ambiguous and alien.
ANTIMUNDO 00H [2022] – Oil paint on canvas
UNCONTACTED BOTANY [2025] – Oil paint on canvas
LARVA (LONG LIVE THE NEW FLESH) [2025] – Oil paint on canvas
ANTIMUNDO ΩD [2024] – Oil paint on canvas
ANTIMUNDO 00M [2023] – Oil paint on canvas
Antimundo 00R [2025] – Oil paint on canvas, acrylic panels and sla resin
ANTIMUNDO 00J [2022] – Markers on EVA foam
PARADOXA [2024] – Graphite and markers on archival paper
THEY GLOW IN THE DARK [2024] – Oil paint on canvas
MODULES FOR THE REDISCOVERY OF LIFE [2021] – Oil paint on canvas and sla resin